Nature's Triad: The Art of Mineral Composition
Nature's Triad: The Art of Mineral Composition
When three mineral compositions stand side by side, the result is more than the sum of their parts. A triptych of resin and stone tells a story – of contrasts, harmony, and the raw beauty of the earth.
The idea behind the composition
Each of my artworks begins with a question: Which minerals complement each other? Where does tension arise, where tranquility? With this triptych, I wanted to capture the diversity of geological textures – from the icy clarity of rock crystal to the earthy tones of smoky quartz and the shimmering reflections of pyrite and mica.
The challenge lies not only in selecting the stones, but also in arranging them. Like a musical composition, there are rhythms: calm passages alongside dramatic accents, transparent surfaces next to opaque structures.
Materials and technology
The base is made of high-quality epoxy resin, which embeds the minerals and intensifies their natural colors. Each stone is placed individually – a process that requires patience and precision. Rock crystals reflect light differently than smoky quartz; obsidian absorbs it, while mica scatters it. These optical properties determine where each mineral is placed.
The triptych format enhances the effect: three panels that can exist individually, but only together unfold their full presence. The spaces between them are just as important as the surfaces themselves – they give the eye room to breathe.
From sketch to finished work
Before I begin casting, I make a rough sketch. Where should the focus be? Which colors should dominate? For this piece, I wanted to depict the entire color palette of the earth: from cool blues and grays to warm browns and metallic accents.
The casting process itself takes place in several layers. Only after complete hardening is the surface ground and polished – a step that reveals the hidden depth of the minerals.
Why triptychs?
The triptych format has a long tradition in art history. Originally developed for sacred altarpieces, it offers a structure that allows for movement and development. In my work, I use this form to visualize geological processes: erosion, sedimentation, crystallization – processes that unfold over millions of years, compressed into three interconnected panels.
Each triptych is unique. The minerals originate from different regions; their inclusions and structures are unrepeatable. What emerges is not a reproduction, but an original – a piece of Earth's history, reinterpreted.
Who is a triptych suitable for?
This form of presentation is particularly suitable for spacious rooms: living areas with high ceilings, offices, medical practices, or reception areas. The horizontal orientation creates a calming, grounding effect and invites contemplation.
Collectors also appreciate triptychs as a coherent series – three works that belong together but can be arranged flexibly. They can be hung close together or spaced apart, depending on the room's layout.
All triptychs are delivered without frames and can be individually framed upon request.